This photo had been taken for a period. I've made some basic adjustment in Photoshop before posting since the original one looks rather blur and the colour simply less satisfactory than what I've got in the camera's LCD. And this is the result.
What I want to show in this photo is the feeling of "touch" between the architecture(representing human) and the sky(with relation to god, heaven...such kind of things)
Hope you'd like this photo,comments are always appreciated.
This is a fantastic photo!!! The clouds are amazing....and they almost look as if they are reaching down to touch the building. The sun's reflection on the water is great too, it balances the glow of the sun from behind the clouds at the top of the photo. I would say don't try to lighten the buildings any more, they are perfect silhouetted like that.
I agree with slickwilly....larger would have been great, but this is still fabulous!
This is a stunning piece of photography, the blues add heaps to an already good work. I like the way the architecture is to one side in this. The sky is just so outrageous. I love it.
Calvinization, the very fact that the architecture is darkened is what makes this piece so strong. Apart from being a pretty pretty display of clouds and sky, it strikes me as extremely emotive.
Your intent to contrast man and nature is quite apparent, as the whole scene exudes a sort of science fiction, 'Brave New World' sort of theme. The lone, piercing tower, so prevalent in such portrayals of the metropolis, is a perfect touch. This cityscape looks almost like a prison island.
The sky above, while faint and softly colored, still has a thrillingly chaotic feel about it - the clouds move in all directions, and dark patches threaten the shafts of light. It looks very stylized, almost as if a painting. It's as if there is this intense struggle above, between the smog of the tower, the permeation of chemicals, and the light "from the heavens," as it were.
I feel like there is an entire story to be told in the sky alone, here; it feels like it's pulsating with life and emotion.
My suggestion, in fact, other than gracing us with a higher-res image, is to go a step further and make the building *darker*, make the silhouette stronger. As it stands now, the cityscape still has some faint touches of reality, of normalcy, and this detracts from the 'foreboding' imagery I'm getting. Of course, I may be interpreting this entirely differently than how you wanted to - but that's my suggestion, in the context of how I see it.
I'm sure the scene was a lot less spooky when you were there.
I was going to say that I actually think the buildings should be darker, since it would contrast better with the light of the sky. It would also make the piece more emotional, like yam said.
It would sort of look like a dark and human structure trying to reach the lighted heavens. Or something equally cheesy. But you get the idea.
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Comments
I agree with slickwilly....larger would have been great, but this is still fabulous!
AWESOME PHOTO!!!
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Photoshop wrangler since 4/2002.
the blue tones are a bit too strong for me...
the clouds in the sky are amazing.
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www.istockphoto.com/lobsterclaws
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Gleanntán
My love has come home to me,
and we shall never be parted again.
My Prints
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Gleanntán
My love has come home to me,
and we shall never be parted again.
My Prints
--
Stottys Landscapes - [link]
Your intent to contrast man and nature is quite apparent, as the whole scene exudes a sort of science fiction, 'Brave New World' sort of theme. The lone, piercing tower, so prevalent in such portrayals of the metropolis, is a perfect touch. This cityscape looks almost like a prison island.
The sky above, while faint and softly colored, still has a thrillingly chaotic feel about it - the clouds move in all directions, and dark patches threaten the shafts of light. It looks very stylized, almost as if a painting. It's as if there is this intense struggle above, between the smog of the tower, the permeation of chemicals, and the light "from the heavens," as it were.
I feel like there is an entire story to be told in the sky alone, here; it feels like it's pulsating with life and emotion.
My suggestion, in fact, other than gracing us with a higher-res image, is to go a step further and make the building *darker*, make the silhouette stronger. As it stands now, the cityscape still has some faint touches of reality, of normalcy, and this detracts from the 'foreboding' imagery I'm getting. Of course, I may be interpreting this entirely differently than how you wanted to - but that's my suggestion, in the context of how I see it.
I'm sure the scene was a lot less spooky when you were there.
Fritz Lang would be proud.
I was going to say that I actually think the buildings should be darker, since it would contrast better with the light of the sky. It would also make the piece more emotional, like yam said.
It would sort of look like a dark and human structure trying to reach the lighted heavens. Or something equally cheesy. But you get the idea.
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The wheel is turning, but the hamster is dead.